Books of the Year

It’s that time of year again. Hopefully all the presents are brought and wrapped.

I just thought I’d look back at my favourite reads of the year, and add links to my original blogs

My favourite book this year is by Greg Iles. Southern Man is the culmination of of the Penn Gage series. Which in turn is probably my favourite modern American Crime series. Set in the Deep South it looks at the effects that one man can have on an electoral campaign. When I was reading it I thought “Trump” now, scarily, I’m thinking “Musk”

Is a great story to finish off a brilliant series

https://nigeladamsbookworm.com/2024/07/06/southern-man-greg-iles/

Talking of series my favourite new find in British Crime Fiction, is the Cassie Raven series by A.K Turner. Raven is a school drop out, goth, who finally settled down and has become a Senior Morgue Technician.

She has a forensic eye, and a deductive mind, and pairs up with Phyllida Flyte a Police Detective who, in personality, is about as far removed from Raven as possible. But they make a formidable team in this series. I found and binge read the series without breaking to read anything else. Yes it hooked me.

https://nigeladamsbookworm.com/2024/08/03/body-language-life-sentence-case-sensitive-and-dead-fall-by-a-k-turner/

The biggest surprise for me, this year, has been the fact that I was intrigued by the amount of people I saw reading Fantasy books. Every time I jumped on a train, every coffee shop I went in somebody, and on many occasions quite a few people, were reading fantasy books. All age groups, and all genders, seem to be reading these books. So I thought I’d try one.

One of my favourite crime authors, and fellow book blogger Noelle Holten, recommended Iron Flame by Rebecca Yarros. This was the second in a series so I downloaded Fourth Wing, the first, and with some trepidation dived in. I was instantly enthralled by what is, at its core,the story of a girl who joins the army and goes through basic training. The difference being people die when they fail. And instead of modern technology the armies rely on magic and dragons.

Oh and it’s spicy. When I downloaded it of Amazon it was listed as youth and young adult fiction. On my initial blog I had several people replying thanking me for being honest about the “spice” as they had considered buying it for their early teenage kids.

It’s definitely an 18 if you are going to use the movie classifications.

Both books are fantastic and I have the third on preorder and can’t wait for publication in January.

https://nigeladamsbookworm.com/2023/12/11/fourth-wing-and-iron-flame-by-rebecca-yarros/

There are other series I haven’t mentioned. Angela Marsons has added two books to the Kim Stone series, and this is always going to be my favourite UK Police Procedural series. Set in the Black Country, great characters, both recurring and occasional. Utterly brilliant.

The True Crime, and autobiographical book Every Contact Leaves a Trace, by Jo Ward is a gritty read by one of the UKs top CSIs. Jo has been on TV a few times in fly-on-the-wall documentaries about murders in the West Midlands.

What those programs don’t show is what’s going on in the Forensic Scientists mind, how some cases can have an adverse effect on the mind and the body.

I have worked a few times with Jo and to see her put her heart on her sleeve like this is tremendous. It’s a must read for crime fans but should be compulsory for anybody thinking of joining the Police as a CSI.

https://nigeladamsbookworm.com/2024/05/18/every-contact-leaves-a-trace-jo-ward/

What a year to be a reader. I can’t wait to see what 2025 brings

Mercy Killing. Lisa Cutts

A good story but it comes with a warning.

The story centres around victims of child abuse, and although there is no gratuitous scenes, it is alluded to strongly, and may act as triggers to anybody who has been affected by these crimes

DI Harry Powell is newly promoted, in an unhappy marriage, and is the father to two teenage sons.

He has a wondering eye, when it comes to attractive women, but is to afraid of his wife’s r eaction to anything other than looking.

In short, he’s a wonderful character for a series.

In his first major investigation as DI he, and his team, investigate the murder of a man who has been convicted of child abuse.

The man is found in his flat, hands secured with cable ties, and strangled with another.

From the start of the book the reader is led down the line of knowing who the killers are, but as the book moves on it becomes less obvious and there appears to be a handful of people who are in the frame.

As the last few chapters draw the story to a conclusion these suspects spiral around until the murderer is finally identified.

Throughout the book Lisa Cutts does a brilliant job of looking at the long term psychological damage suffered by people who are abused as children.

What she also does really well is examine the effect it has on Police Officers. The difficulty in investigating the murder of a monster who has abused children. The fact that most people, cops included, would probably think he got what he had coming to him. But they still have to identify and arrest the people responsible, ensuring fairness in justice.

Part of the book also looks at the tragic consequences of making accusations of abuse, another trigger warning.

As much as I’ve made this sound like a tough read it’s actually not. It’s a good Police Procedural, but it’s also thought provoking.

Pages: 365. Publisher: Bloodhound . Series number 1/3 so far Audiobook. 11 hours 2 minutes. Narrator Iain Batchelor.

36 Hours. Angela Marsons

Wow. In fact several wows

Wow 1 How is this book 21 of the series. I know time flies but it only seems like yesterday I was enthralled by Silent Scream.

Wow 2 The fact that the series just goes from strength to strength

Wow 3. What a brilliant story.

Kim Stone and her team are back, but at first not officially.

When Stones not so favourite journalist turns up on her doorstep with a half baked story Kim should not be giving it any credence, but there is something about the message that Frost brings her that impacts and makes her take it seriously enough to text her team, on their day off.

So what exactly is it that grips Stone. Frost has been given a deadline. If she doesn’t follow the clues she’s going to be sent, and solve the puzzle within 36 hours, somebody is going to die.

Not everybody, including Stone’s boss take it seriously and the team are given the opportunity to bail out, or help Kim with the investigation on a voluntary basis.

To make matters more complex Stone includes Frost in the team and gives her a seat in the office.

Even those that decide to stay find this a step to far and the tension in the office is palpable.

The first clue leads them to a box, amongst the contents is an audio file in which a person can be heard screaming.

As each clue is discovered the contents get more horrifying.

I’m running out of superlatives to describe Angela Marsons books. Amongst all of the things she’s always good at, characters, plot, settings, this one added a rhythm to story that only the really best authors seem to get right.

Any author can add pace but this story pulses. The anxiety of a new clue and the rush to find it, the lull and anticipation when the team, back in the office, are waiting to hear what Kim and Bryant have found whilst out in the field.

As a Black Country lad I always look forward to seeing where the plot will be set, in this case they race across many locations that are absolutely perfect for hiding clues.

Pace, suspense and a terrific story meant that I read this book in as close to one sitting as it is possible whilst carrying on with a normal life.

Can it be read as a standalone, yes.

Should you read the rest of the series in order, I would, but then again I’m lucky enough to have been in from the start.

Pages. 362. Publisher. Bookouture. Audiobook length. 8 hours 3 minutes. Narrator Jan Cramer

A Random Kill. Andrew Barrett

Billed as the start of a new series, I can only hope it turns out to be a long one

I like my main characters to have a bit of grit. Detective Sergeant Regan Carter has a whole quarry.

A fiery red head, who has just been transferred to her nightmare job by the husband she’s just divorced, Regan hates dead bodies. She hates the smells, the body fluids, the injuries, the fact that they fart and belch when the trapped gases get released, in fact there is nothing about them she can get along with.

So as a piece of revenge, the worst thing that her nearly ex-husband could do, would be to get her transferred to one of the busiest murder teams in the country.

Just to put the icing on the cake she is replacing a woman that was dearly loved by her team and who died in a freak accident, with everybody presuming that one of the existing DCs on the team would get her post.

Regan Carter, yes she is named after the two main characters in the 1970s TV series The Sweeney, has a mouth that would match Gene Hunt, from another famous series and has an attitude to match, so making friends is not at the top of her list when she arrives at the new team.

Neither is getting involved with a complicated murder based around the drug scene in Leeds.

What follows is one of the best introductions to a new series I’ve read in a very long time.

A seemingly random shooting of a woman, her child taken in his pram, is Carters introduction to her new job.

But is it as random as it seems. Carter is the epitome of a “Dog with a Bone” and in her brash manner manages to annoy both her bosses, her peers, and the local villains.

In the real world she would undoubtedly be sacked, but in the none woke world of crime fiction, she is a breath of fresh air.

A bit like real world policing there are times in this book when a wry grin cannot be avoided. It’s the only way to deal with the horrors the detectives, and the readers, encounter, and in this book there is one very imaginative, and gory, way of killing.

I really hope this series is a long runner, because there is some entertaining mileage in Regan Carter.

Publisher: The Ink Foundry. Pages: 415. Available now

Zero Risk. Simon Hayes

This is the book I’ve been waiting for, for years.

Back in the 1970’s, as a young sailor, I discovered Robert Ludlum via the Matarese Circle. I loved his books and found others like him, Nelson Demille being another favourite reads in the down times on board deep sea tankers.

Moving into the 1980’s I devoured each of Tom Clancy’s books, well the early ones anyway.

I loved espionage thrillers.

But there has been a very thin offering of new authors worthy of these, until now.

Zero Risk by Simon Hayes has filled the void.

The book isn’t about espionage in the more traditional sense, it’s about a person who tries to bring down one of Britains biggest banks, and in so doing the Prime Minister.

It has a touch of the Dan Brown, with the antagonist sending cryptic emails with art references in them, but although they add to the story, if you don’t get them, they are quickly explained.

The plot, as written on the Amazon page.

23 December 2024… Rob Tanner should have been enjoying a rare day off from his life-consuming work as Chief Operating Officer at one of the country’s largest banks. But a panicked phone call from a senior colleague forces him to put his Christmas plans on ice: more than a thousand of the bank’s accounts have seen their balances increased by a factor of ten. Exactly ten.

Tanner enlists the help of brilliant American cyber security expert Ashley Markham, but the attacks only worsen: bank balances rise remorselessly and spread to all the nation’s banks. The only clues to the hacker’s intentions are cryptic daily emails, centred on Hieronymus Bosch’s medieval representation of the seven deadly sins—and packed with colourful artistic and cultural references—taunting Tanner and the newly incumbent Prime Minister, James Allen.

With financial markets—and the very world as he knows it—on the brink of collapse, Tanner races against the clock to decode not just the bizarre emails but their deeper meaning, and the implications for who he can really trust. All the while, his former boss “The Toad” is seeking revenge… and answers of his own.

That only really covers the first couple of hundred pages of a book that stretches to nearly eight hundred pages.

There were times in the book I thought I had things cracked, but then something would happen that would throw me entirely in a different direction.

There were times when I thought, “this has to be almost the end, how come there are so many more pages to read”, but a twist would open up another chapter.

Simon Hayes uses the fact that this is a standalone novel to its best advantage.

Nothing, and nobody is sacred. Anything can happen to anybody.

Having said that there are is no shark infested custard. There are no improbable situations. Everything is scarily plausible, and realistic.

An absolutely stunning read.

Pages: 780. Published: The Rubriqs Press Limited. Audiobook length: 25 hours 8 minutes. Narrator Stephanie Racine

My Daughter’s Revenge

Natali Simmonds

Two women, well one woman and a youth.

One mother and her daughter, at opposite ends of sexual activity scale.

The mother, Jules, in her forties, she wants to be sexually active but her husband has shown no interest in sex for a while.

The daughter, Leah, sixteen, desperate to experience sex.

Leah lies to her parents and hooks up with a young man at a music festival.

Jules resorts to an anonymous app which allows her to talk to men nearby.

At first Jules is getting cheap thrills from the site. Having uploaded a boudoir type photo of her from behind she soon starts to attract the attention.

The thrill soon changes to loathing as the majority of the responders to her post are just perverts or downright rude.

But there is one person that doesn’t seem that bad. Could she……should she???

Meanwhile Leah is on her own track to a calamity. She lied about her age when she hooked up with the cannabis smoking festival goer, and that soon comes back to bite her.

With mother and daughter both on a collision course to emotional disasters is there any way to redeem themselves.

This is a twisting plot which at times seems to telegraph what is about to happen.

But just like real life, when bad decisions are made, things become anything but predictable.

I enjoyed the plot.

I enjoyed the characters.

At times I’ve criticised books for being too graphic, or using gratuitous sex or violence, this is definitely not the case in this book.

The scenes are well written, and where the sixteen year old is concerned it’s very empathetic.

This book treads a sensitive line but never oversteps the mark.

A good read.

Pages: 368. Publisher: Bookouture. Publishing date: 14th August 2024

Áróra Investigation Series

Lilja Sigurdardóttir

I’ve spent the last two weeks reading the first three books in this series, back-back.

Set in Iceland with a main protagonist who is half British, half Icelandic, the story in each book is brilliant, as is the running story which continues in the background of the second two, having being the main story in the first.

Áróra is a financial private investigator who specialises in identifying where people hide money, whether it’s for a messy divorce, or a corporate crime. Her favourite outcome to each case is to take her commission in cash and roll around in it, on her bed.

Cold as Hell

When her sister goes missing in Iceland her mother insists she goes to find her. Explaining to her mother that she is not that type of investigator hold no grounds with her mom, so she catches a FI light to meet a “relative” who is a Police Officer who has volunteered to help.

The Officer, Daniel, is only a distant relative, and that is by a marriage that has long ended in divorce, but they click, and start the hunt for her sister.

They start with the boyfriend. is an abusive bully who has beaten Ísafold on multiple occasions, but she keeps returning. Suspected of not only taking, but also dealing drugs Björn is the obvious suspect, but proving it is going to be difficult.

They are not the only one that has concerns about Björn and his treatment of Ísafold. And he is out for revenge, but does this help or hinder Áróra and Daniel’s investigation

It’s no spoiler to say that Ísafold is never found, and it’s Áróra’s hunt for her that continues through the other two books.

Red as Blood

Áróra is still on the island looking for her sister when an accountant she works for contacts her to tell her he needs help with a client in Iceland.

Entrepreneur Flosi has returned home to find his wife had been kidnapped. Told not to inform the police, but to arrange for a 2 million euro ransom to be paid in cash he has contacted his accountant in England.

The accountant wants Áróra to act as liaison and to fly to the U.K. to courier the cash.

Inevitably the police do get involved and it’s Daniel’s team lead the investigation.

Áróra however finds links to Russian mafia in Flosi’s businesses, he’s not the innocent entrepreneur, and the kidnapping isn’t all that it seems.

White as Snow

The story centres on people smuggling. When a container is found abandoned in Iceland with four dead bodies inside an investigation is launched.

There is one survivor, a Nigerian woman that had been living in France. At first she doesn’t know how she ended up in the container but the book contains her backstory in some of the chapters. As this unfolds so does the investigation in Icleland.

Again the Russian Mafia seems to be at the heart of everything.

Daniel has stepped back from leading the investigation, finding it harrowing, having found the survivor, but continues in a support role.

Áróra starts to follow the money, putting herself in more danger than she appreciates.

I read these books because I read a review of the 4th book which is due out later this year. I’m glad I did but now I find myself having to wait months for the next episode in what I’ve found to be an enthralling series.

Publisher: Orenda Books. Print lengths: 309, 315 and 319 pages.

Guilty Mothers. Angela Marsons

The series that just keeps on giving. I have led a far from sheltered life, but Angela Marsons has found a topic to base this story on that I was blissfully unaware of, and it’s stunning.

Kim Stone and her team are called to the scene of a murder. One of the worst types of crime, a young woman has apparently murdered her mother.

With the daughter locked up the team start to dig into their family relationships.

The only thing of note is that the daughter was a Child Beauty Pageant contestant and that mom might have been a bit pushy.

When another mother of a Beauty Pageant Contestant turns up dead it can’t be a coincidence, and as Stone thought she had the killer already locked up it comes as a bit of a surprise.

And so the journey into the world of Beauty Pageant begins.

The world inhabited by the contestants, and their families, comes as a big surprise to the down-to-earth Stone. The comparison of her early life can’t be ignored.

This is book twenty in the series, that’s one hell of a milestone.

You would think that this far into a series the author would be struggling to keep the reader hooked. This book proves just how wrong that would be.

The story is compelling, who knew that Pageants were a thing in the UK.

The fact that they do, and that there are bitchy, bullying, mothers living their life vicariously through their, sometimes unwilling, and often unhappy children, makes a fantastic backdrop to a murder story.

Stone and her team are always engaging and their back stories always have me hooked.

I love these books. The series is still my favourite. Book 20. Let’s hope for books 25, 30 and who knows how many more.

Pages: 362. Publisher: Bookouture. Audiobook: 8 hours 21 minutes. Narrator: Jan Cramer

The Confession Room. Lia Middleton

When a civilian sticks their nose into an ongoing Police Investigation it is a hinderance.

When that civilian starts to interfere in the investigation, and have an ongoing negative effect on it they become an annoyance.

When they start to withhold information they become a criminal

When that person is a recently retired Police Officer it’s inexcusable.

Or is it.

Emilia Haines is the ex cop. She’s a struggling Private Investigator. She’s also a victim.

Her sister was killed by a stalker. On the night she died she had repeatedly called Emilia who was to busy being a Police Detective to answer her calls. She knows she could have saved her.

The PTSD this brought on has seen her leave the job she loved.

The Confession Room is a website where people can anonymously make life confessions.

But when the site becomes the vehicle through which a killer targets people, before streaming their final confession and murder, things obviously take a serious turn.

Emilia has posted on the site, confessing the fact she thinks she could have saved her sister. But she’s also obsessing that some day, somebody will confess to her murder.

So when people are murdered in the Confession Room she starts nosing around the investigation.

Yes, she is the hinderance who graduates through to become criminally involved by withholding evidence. But that’s only the start.

Things get worse, much worse.

This story is a bit of a stretch. Lia Middleton lets Haines get away with too much. Not only in the fact that she wouldn’t have been able to get away with it in the real world, but also to the point of the reader losing any empathy they may have had with her.

But this isn’t a bad thing. There was no time in this book that I felt I knew what was coming.

And the ending certain wasn’t what I was expecting

That made for a really enjoyable read, full of twists and turns, and fast paced, every chapter captivated me.

Publisher: Penguin. Pages: 352. Audio Book: 9 hours 25 minutes. Narrator Rachael Stirling

Crow Moon. Suzy Ashley

If Hitchcock had directed a film starting Miss Marple this would have been the plot.

Set in a remote Scottish village, around the time of the crow moon, the plot is set in the current day but has at its base ancient folklore.

Martha Strangeways is a reporter who is on extended leave following the death of her young twins in a house fire. She has a teenage son from a previous relationship, and unknown to her he had a dabble in the occult with two friends, one of which is found dead in the woods with a verse from an poem written in his back.

The police carry out a major investigation but Martha, who is carrying out her own unofficial investigation, isn’t sure they are doing enough.

The Police Senior Investigator recognises the benefits of having a renowned journalist, who lives locally, on his side, and agrees to share information with her as long as she is not working as a journalist.

She isn’t, she’s investigating because she’s made the connection that the police don’t want to take seriously, and she’s worried for other teenagers, including her son.

When a girl, another of the three teenagers who dabbled in the occult goes missing Martha starts to make spurious links, and disagrees with the police when they think they know who is to blame.

The setting for this book, and the premise of the story, are dark and could have been written by James Herbert. As I’ve already said the main character of Martha could have come from the pen of Agatha Christie.

That simple formula has produced a cracking story.

As far a debut books go this is one of, if not the best, I’ve read.

Publisher: Orenda Books. Pages: 402.

Audio Book length. 10 hours 18 mins. Narrator Sarah Barron