Classic? What are they, and why ban one because writing styles might offend.

A recent headline in Wales got me thinking. The Welsh Joint Education Committee have banned the “Classic”, John Steinbeck’s Of Mice and Men, from its GCSE reading and studying list, stating racism in the writing could be seen to be offensive.

This got me thinking.

What is a a Classic, and why do we class some books as classics, what are they actually supposed to teach us.

At secondary school, in the 1970’s I was made to take CSE English Literature. Some of my brighter friends took it at O Level.

I didn’t read any of the books on the reading list. Mainly because I found them boring and stuffy.

I’ve read many of them since, and some of them I even found entertaining. But what was I supposed to learn from books like Lord of the Flies, White Fang, Rebecca, and others I can’t even remember.

My friends taking O Level suffered even more, Dickens and Shakespeare weighed heavily on their reading list.

Growing up on a huge council estate in Birmingham, these books bore no relevance to anything we were experiencing.

At the time my reading was mainly based on my father’s discarded WWII paperbacks and the occasional spy book. At thirteen these held relevance. The war was over but still recent enough to be fresh in the mind of many of the adults in my life. The Cold War was at its height.

What I didn’t know at that time was just how much reading would mean in m life.

I’m a bookworm with my own review blog. I get sent advanced copies of books so that I can review them prior to publication.

I embrace reading and love to think that I encourage other people to read.

How do I do this. I tell the truth about books I enjoy. I never write a negative review, because I know reading is subjective. Just because I don’t like something, why should I write something that might put somebody off a book they would really enjoy.

To flip that why do education boards select books, Classics, that have no relevance, and in all likelihood will put people off reading in their formative years.

I understand that some people will want to study and research the history of literature and writing styles. That can be done at Higher Education for that minority group.

To ban a book because it has historical, but accurate for the time, phraseology, in my mind, is counterproductive.

We should learn from the past, bad things as well as good.

One of my favourite writers, in American Fiction, is Chester Himes. His Harlem crime series, set in post war New York is full of information that would be hard to find in many none fiction books.

His main characters Coffin Ed Johnson and Gravedigger Jones, are fierce, black detectives, working in the slums of Harlem.

Chester Himes was born in the early 1900’s and lived in a similar area to that which he wrote about. His accounts, although fictional are true to life.

Another American author, whose books would be seen to be offensive by some is James Ellroy. The LA Quartet contains era appropriate, and accurate language. Loosely based on real life events, the fictional characters often interact with real people of the time.

Some of the content would be massively controversial today.

In my mind, these are Classics, and if you read these you cannot help but compare the occurrences of, in Himes case the 1950s, and in Ellroy’s case the 1960s, with today’s society.

It’s not just American writers.

Colin Dexter, in his Morse books, plots the changes of Policing in the 1980s. Language and attitudes accurate to the era are vastly different to that of today, they can be seen to be changing throughout the series.

The books are entertaining but also allow the reader to look at how much has changed in the U.K. over the last 40 years or so. In life in general, as much as Policing, things changed vastly during that era.

There will be people who love Agatha Christie, I’m not one of them. Her books would be classed as cosy crimes today. The language and attitudes in her books are another example of accurate for her era, but would be found offensive today.

In my mind we shouldn’t be banning books because of when they were written, we should embrace and learn from them.

Do we learn from the Classics? Writing styles maybe, but societally no.

They are too far in the past. Dickens wrote about the mid to late 1800s. Shakespeare wrote about the 1500s. This is history and bears no real relevance to modern literature, so how are they still on Literature Reading Lists., below higher education.

Everybody will have their own opinions and I hope my little rant doesn’t offend, but I do hope it provokes some discussions.

Books of the Year

It’s that time of year again. Hopefully all the presents are brought and wrapped.

I just thought I’d look back at my favourite reads of the year, and add links to my original blogs

My favourite book this year is by Greg Iles. Southern Man is the culmination of of the Penn Gage series. Which in turn is probably my favourite modern American Crime series. Set in the Deep South it looks at the effects that one man can have on an electoral campaign. When I was reading it I thought “Trump” now, scarily, I’m thinking “Musk”

Is a great story to finish off a brilliant series

https://nigeladamsbookworm.com/2024/07/06/southern-man-greg-iles/

Talking of series my favourite new find in British Crime Fiction, is the Cassie Raven series by A.K Turner. Raven is a school drop out, goth, who finally settled down and has become a Senior Morgue Technician.

She has a forensic eye, and a deductive mind, and pairs up with Phyllida Flyte a Police Detective who, in personality, is about as far removed from Raven as possible. But they make a formidable team in this series. I found and binge read the series without breaking to read anything else. Yes it hooked me.

https://nigeladamsbookworm.com/2024/08/03/body-language-life-sentence-case-sensitive-and-dead-fall-by-a-k-turner/

The biggest surprise for me, this year, has been the fact that I was intrigued by the amount of people I saw reading Fantasy books. Every time I jumped on a train, every coffee shop I went in somebody, and on many occasions quite a few people, were reading fantasy books. All age groups, and all genders, seem to be reading these books. So I thought I’d try one.

One of my favourite crime authors, and fellow book blogger Noelle Holten, recommended Iron Flame by Rebecca Yarros. This was the second in a series so I downloaded Fourth Wing, the first, and with some trepidation dived in. I was instantly enthralled by what is, at its core,the story of a girl who joins the army and goes through basic training. The difference being people die when they fail. And instead of modern technology the armies rely on magic and dragons.

Oh and it’s spicy. When I downloaded it of Amazon it was listed as youth and young adult fiction. On my initial blog I had several people replying thanking me for being honest about the “spice” as they had considered buying it for their early teenage kids.

It’s definitely an 18 if you are going to use the movie classifications.

Both books are fantastic and I have the third on preorder and can’t wait for publication in January.

https://nigeladamsbookworm.com/2023/12/11/fourth-wing-and-iron-flame-by-rebecca-yarros/

There are other series I haven’t mentioned. Angela Marsons has added two books to the Kim Stone series, and this is always going to be my favourite UK Police Procedural series. Set in the Black Country, great characters, both recurring and occasional. Utterly brilliant.

The True Crime, and autobiographical book Every Contact Leaves a Trace, by Jo Ward is a gritty read by one of the UKs top CSIs. Jo has been on TV a few times in fly-on-the-wall documentaries about murders in the West Midlands.

What those programs don’t show is what’s going on in the Forensic Scientists mind, how some cases can have an adverse effect on the mind and the body.

I have worked a few times with Jo and to see her put her heart on her sleeve like this is tremendous. It’s a must read for crime fans but should be compulsory for anybody thinking of joining the Police as a CSI.

https://nigeladamsbookworm.com/2024/05/18/every-contact-leaves-a-trace-jo-ward/

What a year to be a reader. I can’t wait to see what 2025 brings

The Dark Arches. Andrew Barrett

This is the second book in the DS Regan Carter series, and as brilliant as it is, it come with a but…….you have to read book 1 A Random Kill first.

It’s not often I say a book can’t be read as a standalone but this really does feel like a continuation of the last, and without reading Random Kill you would be thoroughly confused.

That said, this is a fantastic story. Carter has not only annoyed a deranged gang leader, Bradshaw, she has identified his mole in the Police, or at least one of them.

So with Bradshaw still missing a significant drug package, and a good few thousand pounds, he is really miffed with Carter.

His crew has a loose cannon that’s too unpredictable, unreliable, and utterly violent, who is fixated on Carter. So the best thing Bradshaw can do is set him out to get her and fix his biggest problem.

Meanwhile Bradshaw has come up with a plan to get rich quick, the way he does it is not original, but the scale of the effect it has is massive, and also totally realistic and believable.

Carter is heading-up one avenue of the investigation, whilst her boss starts looking at the person Carter identified as the leak.

What follows is an intriguing story. Carter is out for Bradshaw. Bradshaw knows this and sets psycho Eric after her.

However Eric proves to be a burden and Bradshaw decides he’s too much of a risk and sets him up to fail.

The dance that follows is as good as anything on Strictly.

The suspense contained in the chapters is palpable. At times I had to tell myself to breath

The end of the book, just like the first, leaves the door, not only wide open, but knocked off its hinges, for the continuation in book three.

I really wish I hadn’t found this series until it was complete. I only had a couple of weeks wait between finishing A Random Kill before this one was published. Now I’ll have to wait months for the next instalment.

It would have been a massive book, if it’s only a trilogy, but Galbraith (Rowling) gets away with 1000 page books, so I think this would have been an epic, but brilliant, one book story.

Pages: 328. Publisher: The Ink Foundry

Mercy Killing. Lisa Cutts

A good story but it comes with a warning.

The story centres around victims of child abuse, and although there is no gratuitous scenes, it is alluded to strongly, and may act as triggers to anybody who has been affected by these crimes

DI Harry Powell is newly promoted, in an unhappy marriage, and is the father to two teenage sons.

He has a wondering eye, when it comes to attractive women, but is to afraid of his wife’s r eaction to anything other than looking.

In short, he’s a wonderful character for a series.

In his first major investigation as DI he, and his team, investigate the murder of a man who has been convicted of child abuse.

The man is found in his flat, hands secured with cable ties, and strangled with another.

From the start of the book the reader is led down the line of knowing who the killers are, but as the book moves on it becomes less obvious and there appears to be a handful of people who are in the frame.

As the last few chapters draw the story to a conclusion these suspects spiral around until the murderer is finally identified.

Throughout the book Lisa Cutts does a brilliant job of looking at the long term psychological damage suffered by people who are abused as children.

What she also does really well is examine the effect it has on Police Officers. The difficulty in investigating the murder of a monster who has abused children. The fact that most people, cops included, would probably think he got what he had coming to him. But they still have to identify and arrest the people responsible, ensuring fairness in justice.

Part of the book also looks at the tragic consequences of making accusations of abuse, another trigger warning.

As much as I’ve made this sound like a tough read it’s actually not. It’s a good Police Procedural, but it’s also thought provoking.

Pages: 365. Publisher: Bloodhound . Series number 1/3 so far Audiobook. 11 hours 2 minutes. Narrator Iain Batchelor.

36 Hours. Angela Marsons

Wow. In fact several wows

Wow 1 How is this book 21 of the series. I know time flies but it only seems like yesterday I was enthralled by Silent Scream.

Wow 2 The fact that the series just goes from strength to strength

Wow 3. What a brilliant story.

Kim Stone and her team are back, but at first not officially.

When Stones not so favourite journalist turns up on her doorstep with a half baked story Kim should not be giving it any credence, but there is something about the message that Frost brings her that impacts and makes her take it seriously enough to text her team, on their day off.

So what exactly is it that grips Stone. Frost has been given a deadline. If she doesn’t follow the clues she’s going to be sent, and solve the puzzle within 36 hours, somebody is going to die.

Not everybody, including Stone’s boss take it seriously and the team are given the opportunity to bail out, or help Kim with the investigation on a voluntary basis.

To make matters more complex Stone includes Frost in the team and gives her a seat in the office.

Even those that decide to stay find this a step to far and the tension in the office is palpable.

The first clue leads them to a box, amongst the contents is an audio file in which a person can be heard screaming.

As each clue is discovered the contents get more horrifying.

I’m running out of superlatives to describe Angela Marsons books. Amongst all of the things she’s always good at, characters, plot, settings, this one added a rhythm to story that only the really best authors seem to get right.

Any author can add pace but this story pulses. The anxiety of a new clue and the rush to find it, the lull and anticipation when the team, back in the office, are waiting to hear what Kim and Bryant have found whilst out in the field.

As a Black Country lad I always look forward to seeing where the plot will be set, in this case they race across many locations that are absolutely perfect for hiding clues.

Pace, suspense and a terrific story meant that I read this book in as close to one sitting as it is possible whilst carrying on with a normal life.

Can it be read as a standalone, yes.

Should you read the rest of the series in order, I would, but then again I’m lucky enough to have been in from the start.

Pages. 362. Publisher. Bookouture. Audiobook length. 8 hours 3 minutes. Narrator Jan Cramer

The Silent Watcher. Victor Methos

The crimes, two horrendously bloody murder scenes several years apart, the latest in Las Vegas close to the city.

The detective, Lazarus Holloway. He was part of the first investigation and he never got over the scene, or the fact that he couldn’t catch the killer.

The survivor. Sophie Grace, 15 escaped the latest murder scene, but why was she allowed to survive.

Piper Danes, the Gaurdian, a legal representative who looks after the interest of Sophie during the investigation and any court proceedings. Young and inexperienced but with a moralistic compass that makes her a fearsome advocate and protector.

The investigation into the crimes is a gritty story, but to my surprise an arrest is made just over halfway into the story.

Enter a defence attorney that is one of the most aggravating characters I have come across in a book, but I loved her. Russo Blanchi only cares for one thing, winning. She doesn’t care who she defends, who the victims are, or weather her client is guilty or innocent, she just wants to win.

The first half of the book was really good, but the second half goes up another gear.

Victor Methos is another new author to me, and I’m not sure how widely known he is here in the U.K.

I found this book as an Amazon recommendation after I read a US Courtroom thriller, otherwise I think I’d still be in the dark about Methos’ work.

His writing style is fast paced and easy to read, but to keep me as enthralled, as this book did, it has to have a great story.

What I liked was the realism and the fact that at no time could I predict what was coming next. That meant that none of the characters were, in my mind, safe. This added a real suspense to the story.

For me, this is one of my finds of the year.

Pages: 306. Publisher: Thomas & Mercer.