The G File HÅKAN NESSER

The G File HÅKAN NESSER

I read this book knowing it was the last in a series and the big question is will I be reading the back catalogue?

The book is big, running to just over 600 pages; the first half is set in 1987, the second in 2002. I couldn’t help thinking that Nesser had two stories left to tell and put them both into the same book, although the same mystery runs throughout.

It begins with a young lady acquiring the services of Maarten Verlangen, a washed out ex-police investigator turned private detective, to keep watch on her husband. The inevitable murder soon occurs and forms the spine of the story that runs through the book.

The murder is officially investigated  by Police Officer Chief Inspector Van Veeteren. Van Veeteren has history with the main suspect, going back to when they were children. His investigation is marred by his feelings for the suspect and he proceeds on a personal campaign to prove him guilty. These feelings are based more on Van Veeterens guilt, with not having curtailed the suspect’s activities when they were in their youth, than any evidence for the current case.

The case remains unproved in 1987 but is revisited, by a now retired VanVeeteren, in 2002 when Verlangen disappears leaving a mysterious note.

I would be surprised if any crime fiction fan does not solve this murder pretty quickly, but you will have to plod your way through another 500 pages to confirm your thoughts.

The writing in this book reminds me of Colin Dexter, the backdrop and characters are beautifully described. All the way through I was reminded of the Morse series.

Some of the spoken word is a little old fashion and I couldn’t help but wonder if it was written in that way or was it as a result of a “direct translation”; or is it that actually Scandinavians use better English than the modern day British reader is used to.

I think I did suffer from not reading the other books first. This story feels like Nesser is retiring a much loved character, and many of his fans will probably enjoy it a lot more than I did.

So will I read any of the back catalogue. Maybe, but it will not be top of my reading list.

The Axeman’s Jazz Ray Celestin

The Axeman’s Jazz Ray Celestin

Rarely do I pick up a book based on a true event that I have never heard of; this book sent me on a bit of a hike through the internet researching the facts of a series of crimes which took place in New Orleans just after the end of the First World War, The New Orleans Axe Killer Murders, for that alone the Axe Mans Jazz was worth reading, but that’s not the only reason, this book is brilliant.

Set in 1919 the story centres on the hunt an Axeman who is killing couples in the dead of the night, unsurprisingly with an axe.

Three separate inquiries are carried out by the central characters, all cleverly and logically woven together, bringing the book to an exciting end.

Detective  Michael Talbot leads the New Orleans Police investigation. Talbot is an outcast amongst his fellow officers and struggles with a personal secret.

Luca D’Andrea, an ex-detective who is released from prison at the start of the book and investigates the murders on behalf of the Mafia.

Ida Davis a young mixed race girl who works for a Detective agency, but takes on the investigation on her own, to prove to her boss she is capable. Ida has a friend who helps her, a young Jazz Musician called Lewis (Louis) Armstrong; and yes it is that one.

Ray Celestin has written an excellent book. He has taken known facts, including a letter purportedly written by the murderer and published in a local paper, and woven them into a story that held me captivated from the start. His description of New Orleans transported me to the city in the early 20th Century. At times he draws comparisons between 1919 New Orleans and Victorian London, and of course between these murders and those of Jack the Ripper.

His characters fit so well into the story, and are so right for the time it is set in; I wondered whether they were all based on real people. The Lewis Armstrong character is heavily based on the early life of the legendary Louis Armstrong and much of the book revolves around bars and boats where he played in his early career.

The book covers the uncomfortable issue of the racism of the time well. It is clever tool that Celestin uses by having white, black and mixed race characters as the spine of his story, allowing the reader to be taken to any quarter of the city.

Celestin uses a tropical storm to bring the story to an end, like the storm itself the last part of the book builds into an intense crescendo, and like a storm once it has gone a calm settles.

It’s clever, the real Axeman Murderer was never identified but the killings did stop following the storm. Celestin uses a bit of literary licence to let the storm tidy up some lose ends but nothing that distracts from the story.

This is Ray Celestin’s first novel. I’m looking forward to his next.

If you haven’t read The Axemans Jazz yet, I envy you. All I can say is pour yourself a bourbon, put Jazz FM on the radio and cancel any appointments you’ve got for a couple of days. You are going to love it